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Stop In The Name Of Sex
The title of this tape conjures up images of law enforcement or perhaps even a romp in the Motown Records office. However, the only concession to the title is an old police car in the middle of the garage (the Playground in San Francisco) where all the frenzied, sticky action occurs. The exuberant actors quickly shed their clothes, save for an errant cock ring and the ubiquitous ankle boots, and romp in the vaguely dingy, but appropriate industrial setting. Essentially plotless, this wild video offers a few minutes of slow caresses, only to speed up and maintain a breakneck pace until the last drops of cum are expelled. This is somewhat of a departure for the director in that he does not use the very young men he has focused on in his past ventures.

Rusty Samuels, a young-looking, lanky stud with a Marine buzz cut, exits a freight elevator and surveys the action. He goes over to Joey Carr and plays with his dick. Carr almost immediately unleashes Samuels's exquisite cock and greedily slurps and struggles with its girth as Samuels's thrusts into his mouth. Shortly after, Kyle Novak and the lean Brian Shawn join in the mounting excitement. Novak kisses Samuels as the Redheaded Shawn pulls out his glorious rod, which projects from his tight body like a nightstick one he joyfully slaps against other men's faces and even occasionally brings up to his own mouth for a kiss...while still standing! The first forty minutes of this tape is a veritable kaleidoscope of blowjobs, kisses, and writhing. All of which is punctuated by fabulously loud slurps and grunts. The scenes are intercut and every permutation of the six actors is utilized.

Rough Brian Shawn fingers a dreamy Kyle Novak in a phone booth, sexpot Alvin Eros does it on a motorcycle with Reno Merchant, and Joey Carr swallows everyones dick. But Shawn and Samuels seems to have the best chemistry and portray an explosive energy; they are quite incredible to watch as they suck each other off and fuck around in and on the old cop car. Their enthralling exchanges reach a great climax when Shawn rams his super schlong into Samuels, and he receives Shawn with an ecstatic and slightly pained glee that is nothing short of mindblowing. The gorgeous guys all have great, lean bodies and glistening dicks that are successfully captured with interesting lighting set-ups, extreme, lingering close-ups, and inventive shots.

Towards the end, a shot from the ground captures Alvin Eros huge dong as it shoots pearls of jizz that drip from the little ass of the pretty, doe-eyed Kyle Novak--who portrays great pleasure as a bottom and is even more wonderful when he eagerly and masterfully sucks dick after dick. There is only one moment that breaks the rhythm, a strange phone call. Reno Merchant, who looks like a surfer version of Fabio, is being sucked off and getting his hairy balls manhandled when he picks up the ringing garage payphone. An angry man (the boss?) asks, ''what are you doing?'' He tells the man some guy is sucking his dick to which the voice replies more angrily, ''what, are you a faggot now'' and launches into a tirade. This conversation is the only insipid part of an otherwise phenomenal and rapturous non-stop fuck party.

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